I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat, or a prostitute.
Rebecca West
s u g a r s a l t s a l t s u g a r s a l t s u g a r s u g a r s a l t s u g a r s a l t s u g a r
Wednesday, December 26, 2012
Friday, December 14, 2012
Parents were told earlier, according to CNN, that the rule for this evening was simply that if they had not been reunited with their children, they would not be.
Silence is the only voice of our God.
In fact, we should speak of five notes, since the symphony begins on an
eighth rest, with the first note occurring strangely enough on the
downbeat, instituting a hair-thin, quick moment of silence to begin the
piece.
Beethoven's Fifth
Beethoven's Fifth
Saturday, December 8, 2012
I AM MADE OF BLUE SKY AND HARD ROCK AND I WILL LIVE THIS WAY FOREVER
I AM MADE OF BLUE SKY AND HARD ROCK
AND I WILL LIVE THIS WAY FOREVER
Tuesday, November 13, 2012
Everyone forgets that Icarus also flew.
...just coming to the end of his triumph.
Jack Gilbert
1925-2012
Monday, October 29, 2012
I told you that you looked alive.
X's voice: You were alone, apart. You were leaning at a slight angle against a stone balustrade on which your hand was resting, your arm half extended...
The voice stops. A is not in the position indicated by the text being spoken: she is standing, as a matter of fact, quite close to the balustrade, perfectly vertical in relation to it (that is, staring straight ahead over the rail, perpendicular to the latter), and seen from behind in a three-quarters view in relation to the camera. She then corrects her position: she moves a little away from the balustrade, turns slightly to one side, extends one arm to rest her hand on the stone (whereas she had had both arms alongside her body) and stares toward the central path; she is then seen exactly from behind in relation to the camera.
The voice stops. A is not in the position indicated by the text being spoken: she is standing, as a matter of fact, quite close to the balustrade, perfectly vertical in relation to it (that is, staring straight ahead over the rail, perpendicular to the latter), and seen from behind in a three-quarters view in relation to the camera. She then corrects her position: she moves a little away from the balustrade, turns slightly to one side, extends one arm to rest her hand on the stone (whereas she had had both arms alongside her body) and stares toward the central path; she is then seen exactly from behind in relation to the camera.
text by Alain Robbe-Grillet for the film by Alain Resnais
Sunday, October 28, 2012
Friday, October 19, 2012
a ball
The exemplary fact remains--a ball
The thing that rises and abjectly falls,
The unpredictable, adroit rhythm of it all.
"In Baseball" Baron Wormser
The thing that rises and abjectly falls,
The unpredictable, adroit rhythm of it all.
"In Baseball" Baron Wormser
Thursday, October 18, 2012
nothing in it but my hand
You are my friend--
you bring me peaches
and the high bush cranberry
my fishpole
you water my worms
you patch my boot
with your mending kit
nothing in it
you bring me peaches
and the high bush cranberry
you carry
my fishpole
you water my worms
you patch my boot
with your mending kit
nothing in it
but my hand
Lorine Niedecker
Lorine Niedecker
Wednesday, October 10, 2012
wild abundance
The body is the cause of love;
after that, the fortress that protects it;
after that, love's prison.
But when the body dies, love is set free
in wild abundance,
like a slot machine that breaks down
and with a furious ringing pours out all at once
all the coins of
all the generations of luck.
Yehuda Amichai, trans. Chana Bloch and Stephen Mitchell
after that, the fortress that protects it;
after that, love's prison.
But when the body dies, love is set free
in wild abundance,
like a slot machine that breaks down
and with a furious ringing pours out all at once
all the coins of
all the generations of luck.
Yehuda Amichai, trans. Chana Bloch and Stephen Mitchell
Monday, October 8, 2012
Friday, October 5, 2012
Thursday, October 4, 2012
Tuesday, July 17, 2012
Wednesday, June 27, 2012
Tuesday, June 26, 2012
Sunday, June 24, 2012
Monday, June 18, 2012
Saturday, May 12, 2012
Wednesday, January 18, 2012
good woman
3. trans. To address as ‘woman’ (see woman n. 5). Cf.good woman v. Now rare.
1740 S. Richardson Pamela II. 269 She call'd her another time Fat-face, and woman'd her most violently.
1822 Blackwood's Edinb. Mag. 11 399 Whom call you woman? Dare to woman me!
1835 Fraser's Mag. July 18/1 ‘Woman! Dinna woman me, Miss McKimp,’ said the fish-lady.
1904 E. Jepson Admirable Tinker xiii. 234 ‘Woman, you're mad!’ said McNeill, rising with a scared face. ‘Don't you woman me, you low Scotchman!’
1947 K. M. Kingsbury Shanty Paradise vii. 75 The son, in his baby days, had taken it up like a lisping echo and had ‘womaned’ me this and ‘womaned’ me that all around the place.
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